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From what I can tell, this is a mosiac essay. Do I remeber what that is? Nope. Did I write it for a master's level English class about10 years ago? Yep. is it any good? Hell if I know. I can't even remember what a mosiac is...

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This is another tidbit that was probably written between 1995 and 1998. While I would consider this to be pure and utter crap compared to what I write today, sometimes we need to understand the developmental process. The overall theme is something I still use today. Make it dark. Make it disturbing. This qualifies as both. But this is also quantifiably terrible, and it also qualifies as poetry, which I wouldn't write today. In my writing process, especially when I was younger, I wrote poetry to make sense of my own thoughts. These types of things were written when I couldn't string two words together. I do not read or write poetry today because if I wrote it due to being unable to write..... well, uhhh . . yeah. That's the long and short.

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I think I wrote this in 1995 or 1996. I am fairly certain this was an English assignment in high school. I'm also pretty sure I got an "A". Imagine turning this in today. You or your kid would probably be shoved off to the nearest psychologist. However, I am not posting this because I think it's good. I'm posting this to let you know that we all start somewhere.
This is unedited and uncorrected from the text that was in the notebook, which means it's not perfect (in fact upon skimming this, it has developmental errors out the ass), and not the stories I churn out today, but you as you can see, I was fucked in the head even back then.
Just wanna be your fucked-up author!

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THE FIELD
Over the hills and through the woods to grandmother’s house... Okay, not really, Officer Locke thought. He shined his flashlight on a pair of dingy wader boots. The man had been dead less than 24 hours. No blood. No weapon. No trauma. Just dead.
“What do you think?” Officer Smith asked as the CSI’s roped off the area.
“It’s fucked.” Locke said.
“Man looks asleep.”
“Yeah. For eternity. God rest his soul.” Locke gazed at the starless sky.
“Coroner’s on the way.” Smith said.
“Dr. Black?” Locke asked.
“Yeah. Him.”

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It was the phone call that mattered the most to Benton. L was throwing a party. A family get-together. Everyone would be there. Grant – his uncle. Decker – his uncle by marriage. Ashley – L’s wife, his aunt. L was, of course, attending – Shadow’s adopted father, another uncle. Benton had never felt so fortunate. His extended family had helped him through the worst of times. Most recently, it had been his wife’s murder, the trial, and his resulting incarceration. Parole was a bitch, but jails were worse.
It wasn’t his fault Maddy had betrayed them. She had turned coats, become a double-agent of sorts. She gave Company information to the Sanchez and Sanchez information to the Company. Benton had no choice. He had to shoot her.
Benton sighed. It had been the beginning of the rift between him and Shadow. Maddy was her best friend. Benton hadn’t even known Shadow was home, but she had heard the gun shots, ran upstairs, and screamed. He had tried his best to comfort her, explain. Shadow sobbed.
Of course, it was nothing compared to the afternoon of their breakup. He hadn’t planned it. Benton had called her that morning to ask when she was coming back to Macapa. That afternoon. Perfect, they’d have lunch, watch movies, relax.
Then L had walked into the Parlor, listened to his private conversation, and interrupted once Benton had finished.
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