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Dialogue is a great tool when it comes to fiction writing, but it can also cause a book to fail very easily. People really have to be careful when it comes to writing dialogue as it can easily become weighed down. The dialogue is what helps a story have a lot of interest and flow smoothly. It is also what helps the reader get a better understanding of who the characters truly are by picking up their personality as they talk.
1. Keep it Short
Dialogue should be succinct. If there are too many large paragraphs of dialogue, the writing will start to feel weighed down. Now, there are going to be spots where an author cannot keep the dialogue short, but they should try to break these sections up as much as possible to avoid an info dump in the dialogue. It can be broken up via movement or by characters asking questions or interjecting their own thoughts.
Read more: 5 Dialogue Tips to Help You Keep Your Story Exciting
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Throughout your writing journey, you’ve probably heard or read more than a few famous author quotes, but what do they really mean? Let’s break them down so that we can use the advice in a practical manner.
1. "The most valuable of all talents is that of never using two words when one will do."
--Thomas Jefferson
We might not think of the founding fathers as masters of brevity; however, Thomas Jefferson makes an excellent point here about concision. Choosing the best word for the phrase, the most precise word, is often better than a string of adjectives. Most commercial writers, in fact, should partially forget their extensive vocabulary lessons as the average reader of popular fiction can get frustrated by complex or latinate words. If you’re writing commercial fiction, you want to drive the action — that is what readers care most about. Clear, precise active language is more effective than flowery prose that goes on and on for paragraphs -- or worse, pages.
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In any given fiction work of fiction, the story is told through someone's point of view. Whether or not this is through the eyes of a hero, a villain, or multiple characters, a point of view establishes what the author wants the reader to focus on. More often than not, the narrative is told through a single lens. This aims to keep the story consistent and make it more likely for the reader to sympathize with the protagonist. Examples of this include Harry Potter. However, other books, like A Song of Ice and Fire, are told through multiple points of view.
Read more: 3 Benefits of Using Multiple Points of View (POVs) in a Fiction Book
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Whether you're writing a novel, short story, or screenplay, understanding the roles of the protagonist and antagonist is essential to crafting a compelling narrative. These two forces—often mistakenly simplified as “hero” and “villain”—are what bring your story to life and drive the emotional and dramatic tension that keeps readers turning the page.
In this guide, we’ll explore:
- What a protagonist is (and isn’t)
- What defines an antagonist
- The difference between an antagonist and a villain
- Examples and tips to strengthen your storytelling
Let’s dive into the building blocks of character-driven fiction.
Why Characters Matter More Than You Think
Before we look at protagonists and antagonists individually, let’s get one thing clear: characters are the heart of your story. Yes, your plot, setting, and theme all matter—but none of them work without characters to give them purpose.
Characters don't always have to be human. They can be:
- People: The most common choice
- Animals: As in White Fang or Charlotte’s Web
- Objects or forces: A haunted house, a devastating storm, or even society itself
But among all your characters, two opposing forces will most directly shape your story: the protagonist and the antagonist.
What Is a Protagonist?
Definition:
The protagonist is the main character in a story—the one the plot follows, the one who makes the central decisions, and the one the audience is meant to root for (but not necessarily like).
Etymology:
The word comes from the Greek:
- “Proto” = first
- “Agonistes” = competitor or actor
Together, it means “the first contender” or “the primary player in a conflict.”
Characteristics of a Protagonist:
- Drives the main action of the plot
- Faces major conflicts and obstacles
- Experiences personal growth or change (in most stories)
- Is often the character the audience relates to
Examples:
- Harry Potter in Harry Potter
- Katniss Everdeen in The Hunger Games
- Michael Corleone in The Godfather (an anti-hero protagonist)
Remember: protagonists are not always noble or good. They simply lead the story.
What Is an Antagonist?
Definition:
The antagonist is the opposing force that creates conflict for the protagonist. This can be a person, a group, a system, an inner struggle, or even nature.
What Makes a Character an Antagonist?
- They create obstacles that hinder the protagonist’s goals
- They fuel the tension and stakes of the story
- They are integral to the plot, even if they only appear briefly
- They may believe they are the hero of their own story
Types of Antagonists:
- External: A rival, villain, or societal force (e.g., Voldemort)
- Internal: Fear, addiction, trauma (e.g., in character-driven dramas)
- Environmental: Natural disasters, isolation, illness
Antagonist vs. Villain: What’s the Difference?
This distinction is often misunderstood. Not every antagonist is a villain—and not every villain is the true antagonist.
Key Differences:
|
Antagonist |
Villain |
|---|---|
|
Opposes the protagonist |
Commits immoral or evil acts |
|
Doesn’t have to be evil |
Almost always morally wrong |
|
Can be a system, idea, or environment |
Usually a character |
|
May believe they're doing the right thing |
Often aware of their wrongdoing |
Example:
In Les Misérables, Inspector Javert is the antagonist. He’s not a villain—he's enforcing the law. Jean Valjean is the protagonist, though he’s a former convict. The moral gray area deepens the story’s emotional complexity.
Can a Story Have Multiple Protagonists or Antagonists?
Absolutely. In ensemble casts, like in Game of Thrones or The Avengers, you may have multiple protagonists. Likewise, antagonists can shift from chapter to chapter—or appear as layered threats.
- Multiple protagonists offer varied perspectives
- Multiple antagonists can intensify conflict and suspense
Why Understanding Protagonists and Antagonists Matters
When you deeply understand these roles, your stories become:
- More structured and emotionally satisfying
- Easier to outline and revise
- Stronger in conflict and pacing
- Richer in character development
Quick Recap: Protagonist vs. Antagonist
|
Element |
Protagonist |
Antagonist |
|---|---|---|
|
Role |
Main character |
Opposes the main character |
|
Drives |
Story’s central action |
Main source of conflict |
|
May be |
Hero, anti-hero, morally gray |
Person, force, system, idea |
|
Goal |
Achieve something significant |
Prevent or challenge that success |
Final Thoughts
If you’re writing fiction, defining your protagonist and antagonist early on will help you build a strong foundation for your plot, conflict, and emotional resonance. Whether you're outlining your first novel or refining your tenth screenplay, these two forces will be at the center of your storytelling universe.
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Do you know the differences between active and passive voice? If you're confused, don't be alarmed. Many authors and writers don't understand the difference. All they've ever been told is - Always write in active voice. The truth is that you need a mix of active and passive voice, but let's take a look at the differences between the two.